April came and still I found myself in the capital. Things had not exactly gone according to plan. What had been intended to be a flying visit to get my gold-fish examined and any necessary medication prescribed, had become a lengthy and oftentimes frustrating stay. For it was in early March, of course, that the Whitechapel murders began anew and Scotland Yard’s finest called upon my services.
Jennifer was completely healthy, it seemed. His mood swings were put down to “personality” and the sneezing written off as a “childish cry for attention”. This diagnosis didn’t come at all cheap but, as an added bonus, I was given a free gift: a translator device which, clipped onto the side of Jennifer’s bowl, miraculously translated his speech into a form of English, rather like that machine the clever Stephen Hawking put together for his wheelchair one rainy afternoon in his teens.
News of the murders was all over the papers. Ladies of the night were being brutally killed in the same spot where the infamous Jack the Ripper had carried out his attacks more than a century ago. DCI Shockthorpe of the yard accompanied me to the scene of the most recent slaying, which was, of course, cordoned off by yellow and black tape and surrounded by constables informing reporters that there was “nothing to see here”. A blatant lie, of course. There was plenty to see in that Aldgate alleyway but none of it very pleasant.
Above the corpse (which was being photographed by a forensics team and a group of Scandinavian backpackers on their first visit to Britain) an eerily familiar legend had been scrawled on the wall in purple glitter pen – the kind used by little girls to colour their nails instead of learning how to spell. I noticed, too, that the “i” in the last word had a little circle above it instead of a dot and that the killer had taken the time to further elaborate upon this by drawing a series of “petals” around the circle, giving it the appearance of a little flower. I muttered a swear word and turned away. The workings of the criminally insane mind never fail to disgust and amaze me.
“The Jews are the people who won’t be blamed for nothing”, read the killer’s message; a word for word imitation of graffiti left by the Victorian murderer. I smiled briefly that the apostrophe had been used correctly and, as the poor unfortunate was being zipped into the confines of a bodybag, I discussed my thoughts with Shockthorpe.
This was either Ken Livingstone’s idea of a joke, an unconventional means of spending his four-week enforced vacation from the office of Mayor, or, more likely I thought, the notorious Jack the Ripper had managed to steal a time machine from H.G.Wells’s cellar and was now wreaking havoc on his old turf in the modern era. How to find a Nineteenth Century gentleman-whore-slasher, though, in the teeming metropolis of early 21st Century London?
“This isn’t going to be easy,” I told Jennifer, whose bowl was cradled in the crook of my arm like a spaceman’s helmet.
“Oh no, it isn’t,” came the crackly reply from his new translator.
Credit where it’s due, the idea of my dressing as a prostitute was Shockthorpe’s (in fact, he’s been emailing me about it for months) and this was undoubtedly the key reason the Ripper was swiftly brought to justice. Unfortunately, he had one more deadly appointment to keep before this happened. If only I’d not insisted on stiletto heels I may have made it to the alleyway in time to save that poor girl’s life but, in my defence, going undercover requires a particular mindset and costume is all-important in adopting the role fully. Jennifer did not approve of the shoes – brushed pink suede with a pointed toe – and made it very clear with a series of boos and hisses from his translator as I strapped them on.
Now I found myself running awkwardly toward the sound of screams across the road from the Aldgate Masonic Lodge. The moon shone down on this clear evening in late winter and my breath was visible in the air as I ran. Jennifer, nestled under one arm as ever, let a few cries of anticipation – a few “Oooohs” and “aaahs” – filter from his translator and gave what seemed like a little cheer as I turned into the alleyway.
Hobbling on my heels, I was horrified to see another body lying among the bin bags and disguarded burger cartons and the bean bags and the bon bon wrappers. A look of horror contorted her features, the eyes still open in terror. This was a less elaborate murder than the previous slaying; the killer had heard my approach, perhaps, and been surprised. Nevertheless, the girl was dead; a knife wound in the centre of her chest slowly trickled blood from a heart that was no longer beating. She had the same shoes as me. Jennifer noticed this and, with a raised fish-eyebrow, silently begged me not to say “I told you so”.
Where can the killer have got to? I thought. The alleyway was a dead end and there was no place to hide. I kicked a dustbin in frustration, dislodging the lid and just had time to notice that it was full of signed, defaced photographs of Richard Madley and Judy Finnigan before the clattering echoes died away and Jennifer’s translator replaced it. “He’s behind you”, the fish screamed. It was at this point that I realised the translator’s limitations; it was only able to use phraseology popular with Pantomime audiences. No time now, though, to consider asking for a refund. I turned swiftly and faced the killer, silhouetted in the entrance to the alleyway.
“You’ve been poking your nose in where it don’t concern you,” the Ripper began to advance. I placed Jennifer’s bowl gently on the ground, ignoring the cries of “boo!” emanating from his translator. I stood my ground.
“Why?” I asked. Was I playing for time or attempting at this desperate time to understand the mind of a psychopath? I can’t say. It did the job though, as the killer pocketed his dagger, removed his bowler hat and with a shrug, began to explain everything.
It was in the late 1800’s that he’d first had the idea of a musical version of Jack the Ripper. He saw it as a lavish stage production with potential for a film adaptation at one of the major studios that would begin to become established in California in a few decades from then. For over a century, he’d been trying to perfect a show stopping breakaway pop hit with which to end the first act but had driven his family and friends from him with his obsessive pursuit of the project.
Reduced now to paying ladies of the night to listen to his song, the Ripper had become jittery, nervous, easily angered. When a prostitute laughed at the chorus he couldn’t tell whether the laugh was in response to the clever wordplay or merely a derisory chuckle. It was then that the anger took over. It was then that the poor wretches, like this girl in the alleyway, met their fate.
“I’ll take it from here,” Shockthorpe’s voice rang out. I adjusted my padded bra as a team of armed officers followed him into the alleyway and cuffed the murderer. A half-hearted cry of “hooray!” sounded from Jennifer’s bowl.
“Come on Superintendent,” Shockthorpe addressed the captured killer, “Let’s have a cup of tea and talk about how we can sort this thing out. We could pin it on Livingstone, you know…”
I removed my bouffant ginger wig as the officers made their exit. Already, the coroner’s team was arriving. In the dark alleyway, I knelt down and closed the poor girl’s eyelids, tugging and cursing as they kept flicking up again like rollerblinds. As a final gesture, I put one of the Richard and Judy signed photographs in her top pocket. “Oh no he isn’t,” sang Jennifer, which didn’t seem to make any sense at all.
The case was closed.


